(Photo cred: David Tosti) Roy Mitchell-Cárdenas’ contributions to the alt-rock-meets-blues outfit known as Mutemath have been a defining part of the bands success.
Though I had originally reached out to Barcelona-based producer and studio owner, Marc Molas Carol, to talk about his studio, El Tostadero, it turned out that the venue had been closed down, and his music affairs were being relocated into a new building that is still under construction.
It was fondness for the music of Plumb that sent me looking for an interview with producer Matt Bronlewee, who has been a mainstay in the band’s music from day one.
In the world of beats and crate-digging, the LA-based Beatnick Dee is a well-established figure who’s output ranges from sample packs to studio albums. As both the acclaimed crate-digger behind the “International One Shots” series of sample packs, and the producer behind music by both mainstream and underground rappers, from The Game and Biggie to October London.
The alternative rock scene of the late 2000s has etched it’s mark on music history for producing a wave of both commercial successful and critically lauded bands, be it Daughtry, The Cab, Parachute, The Airborne Toxic Event or Augustana. Thanks to producer Greg Archilla’s work on Safetysuit’s debut album, their 2009 “Life Left To Go” adds them to that list.
Los Angeles-based brothers Daniel and Andrew Aged formed their music duo in 2010, and released their acclaimed “no world” debut album in 2013. Prior to that, the brothers had already built up resumes of touring and session work in the music world, playing alongside the likes of Robin Thicke and Raphael Saadiq.
Joe Bagale, also known as Otis McDonald, is a San Francisco-based producer and artist whose music prompted me to reach out for an interview, as it’s uncommon to come across someone with a home studio setup that hasn’t succumbed to the sonic trends that can be heard across today’s music landscape.
During my time in London, I happened to come across a goldmine of a place called Tileyard, work-place and home of a multitude of indie and major label-affiliated professionals in the entertainment industry. Tom Fuller was one of those.
The music that has come out of the UK has played a key role in shaping the course of world culture for centuries, with the 20th century having brought us various forms of rock sub-genres and acts that are fixtures of our times still. But not all important music has to be delivered to us through mainstream channels like radio … Read More
In addition to being a member of his own mulit-platinum band, Garbage, Butch Vig has brought his production abilities to enough acclaimed albums by the likes of Nirvana, The Smashing Pumpkins, Green Day and Foo Fighters, to be firmly cemented in music history.
Sie Medway-Smith had told me about Pablo Clement’s synth haven of a studio, Toy Rooms, so I went looking for it on Miloco’s website. As you can see in the picture above, there’s lots to love about the place.
Mike Hedges’ resume stretches pretty far, as you’d expect from someone with 4 decades of time in the music industry. As a producer and engineer, his credits are littered all over the place, from working with underground bands to mainstream elite, and even on movie soundtracks.
In the world of both pro audio and music engineering, Eddie Kramer’s name is one of legend. Having been the engineer that captured Jimi Hendrix’s material, as well as some acclaimed releases by Led Zeppelin, The Beatles and The Rolling Stones, he’s been around for a minute, and continues to have a hand in engineering music by today’s artists.
Despite the fact that Chris Allen’s work in dance music extends back to before it became a mainstream sensation, he’s not unfamiliar with both critical & commercial success. As the co-producer & engineer of Sonique’s 2000′s smash hit “It Feels So Good”, which spent 3 weeks at #1 in the UK, his place in dance music history is cemented. He’s … Read More
Some weeks ago, my browsing of music blogs brought a track called “Stranger” to my attention. I thought it was pretty good, and went hunting for the producer. So here we are, with an interview of Hugh Worskett, a London-based music man whose work with independent and major label names alike is garnering him a good reputation.
In an age where we see more and more professional studios fade away, London’s Metropolis Studios has been able to remain standing as a destination for artists, producers and engineers looking for a facility that’s well-equipped to suit their music needs.
Yoad Nevo has been an in-demand mixer and producer as well as a digital audio guru for over 20 years. With numerous A-list production and mix credits and a major role at Waves Audio, he’s been playing an active role both on the musical and creative side as well as the technology front. I met up with him at his … Read More
With 30+ years in the music industry, Chris Sheldon’s veteran abilities as a mixer/producer are in great demand among rock bands across Europe. He’s someone who’s worked with the likes of Foo Fighters, Oceansize, Garbage and Feeder, and has sharpened his mixing and production skills on some pretty acclaimed albums.
With over 2 decades of experience in professional recording Sie Medway-Smith has been able to thrive in the music industry as a freelance producer and mixer that has worked with everyone from legends like Massive Attack, Bjork and Depeche Mode to current up-and-comers like TALA.
During my college years, long past, one of the few pleasures of an otherwise arduous and mundane period was to enroll in Audio I and II classes, which allowed my interest in music to briefly overlap the normally unbearable experience of academics. Lying at the core of why these classes proved to be enjoyable was the teaching provided by Joe … Read More
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